rdeči valabi
13.02.2011., 18:56
skoro pa točno dvije godine nakon što su se tyvek pojavili u spunku, na svojoj prvoj, turističkoj evropskoj turneji, neuvježbani sa na brzinu sklepanom postavom, evo ih opet na istome mjestu, ovaj put konačno opet kao pravi bend sa članovima i svime.
njihov niskobudžetni garažni pankrok, tada pomodno etiketiran sa hvala bogu zaboravljenim pojmovima weirdpunk i shitgaze, je, kako su se unutar te dvije godine konačno sjetili napisati novi materijal, mutirao u žešće i agresivnije vode, bliže izravnom lupanju u glavu od nekadašnje im zaigrane frustracije, pa makar plastičnom toljagom.
predgrupa su nove zvijezde u konstelaciji zagrebačke podzemne scene, grupa koja se u dobro uhodanoj tradiciji te skupine ljudi ne zamara previše suptilnošću i uvježbanošću, ali donosi agresivnost i kratke mlijuće pjesme sa urlajućim vokalom. članovi grupa contract i gods of chaos, kao i gitarist koji nije iz tih bendova.
tyvek uživo negdje u amerikama (http://www.youtube.com/watch?v=22BRV8A1Syw)
majspejs (http://www.myspace.com/tyvekmusic)
lastefem event (http://www.last.fm/event/1764239+Tyvek+at+Spunk+on+15+February+2011)
http://i15.photobucket.com/albums/a397/nnngh/za%20forunn/tyvek_web.jpg
Full of half-hearted fuzz riffs and tossed-off two-note vocals, Tyvek's self-titled debut made for great recession-era listening. In a world suddenly crowded with dying malls, half-built condos, and underwater McMansions, the Detroit basement-punks' wobbly songwriting sounded weirdly poignant. And the name-- copped from the ubiquitous polyethylene house-wrap-- didn't hurt either. But unlike the Midwestern punks that came before them-- the Stooges, the Electric Eels, Negative Approach, to name a few-- Tyvek never seemed particularly cheesed-off about their surroundings. The rotating cast of collaborators fronted by guitarist/singer Kevin Boyer was agitated and noisy, but never aggressive. Something must be getting to them, though; on Nothing Fits, Tyvek are pissed-off.
Pitchfork
There's a reason it’s called "punk rock" and not "punk rock 'n' roll," and Tyvek have left behind the "roll" that gives garage bands of a certain style their swagger and flex. Here the beat is fast, the chords are limited, and Kevin Boyer’s vocals are mostly shouted. And while demonstrating a strong affinity with hardcore, the songs owe a lot to the first wave of British punk in their pop sensibility. With its call-and-response, opener “4312” recalls “Safe European Home,” the opener from The Clash's own second album; “Potato” sounds like a Pink Flag outtake; “Underwater To” — the best song on the album and maybe the strongest track Tyvek have recorded — plays like a bouncy Buzzcocks tune as grimed-up by Swell Maps.
Tinymixtapes
(lale, molim te ne komentiraj ovu drugu recenziju)
njihov niskobudžetni garažni pankrok, tada pomodno etiketiran sa hvala bogu zaboravljenim pojmovima weirdpunk i shitgaze, je, kako su se unutar te dvije godine konačno sjetili napisati novi materijal, mutirao u žešće i agresivnije vode, bliže izravnom lupanju u glavu od nekadašnje im zaigrane frustracije, pa makar plastičnom toljagom.
predgrupa su nove zvijezde u konstelaciji zagrebačke podzemne scene, grupa koja se u dobro uhodanoj tradiciji te skupine ljudi ne zamara previše suptilnošću i uvježbanošću, ali donosi agresivnost i kratke mlijuće pjesme sa urlajućim vokalom. članovi grupa contract i gods of chaos, kao i gitarist koji nije iz tih bendova.
tyvek uživo negdje u amerikama (http://www.youtube.com/watch?v=22BRV8A1Syw)
majspejs (http://www.myspace.com/tyvekmusic)
lastefem event (http://www.last.fm/event/1764239+Tyvek+at+Spunk+on+15+February+2011)
http://i15.photobucket.com/albums/a397/nnngh/za%20forunn/tyvek_web.jpg
Full of half-hearted fuzz riffs and tossed-off two-note vocals, Tyvek's self-titled debut made for great recession-era listening. In a world suddenly crowded with dying malls, half-built condos, and underwater McMansions, the Detroit basement-punks' wobbly songwriting sounded weirdly poignant. And the name-- copped from the ubiquitous polyethylene house-wrap-- didn't hurt either. But unlike the Midwestern punks that came before them-- the Stooges, the Electric Eels, Negative Approach, to name a few-- Tyvek never seemed particularly cheesed-off about their surroundings. The rotating cast of collaborators fronted by guitarist/singer Kevin Boyer was agitated and noisy, but never aggressive. Something must be getting to them, though; on Nothing Fits, Tyvek are pissed-off.
Pitchfork
There's a reason it’s called "punk rock" and not "punk rock 'n' roll," and Tyvek have left behind the "roll" that gives garage bands of a certain style their swagger and flex. Here the beat is fast, the chords are limited, and Kevin Boyer’s vocals are mostly shouted. And while demonstrating a strong affinity with hardcore, the songs owe a lot to the first wave of British punk in their pop sensibility. With its call-and-response, opener “4312” recalls “Safe European Home,” the opener from The Clash's own second album; “Potato” sounds like a Pink Flag outtake; “Underwater To” — the best song on the album and maybe the strongest track Tyvek have recorded — plays like a bouncy Buzzcocks tune as grimed-up by Swell Maps.
Tinymixtapes
(lale, molim te ne komentiraj ovu drugu recenziju)