Drum 'n' Bass / Breakbeat

[Roose Bolton]

Pa Freeland ti je jedno najvećih nu skool imena.

[Mondo Gecko]

kaj nije malo prije receno kak je on old skool?

(ja sam cijeli zivot slusal punk-rock pa mi je cijela eljektro scena jos friska )

[Roose Bolton]

Pa bio je na početku. Kasnije je cijele scena krenula prema nu skool, pa tako i Freeland.

[Sibencan]

ima skinit program,koji je u biti online radio stanica i ima masu radio postaja iz cilog svita.hrvatskih ima masu.također sve vrste glazbe.evo meni baš svira trenutno drum n bass sa radija jungletrain.net, makai-black belt. al osim ovog ima tu još masu stanica drum na bass i jungle koji sviraju po cile dane i noć.
šta je najbolje,može se to šta online svira i snimati u mp3.samoo kliknit triba begin recor, pod recording u meniju.idealna stvar.
http://www.screamer-radio.com/
i samo instalirat,sve je besplatno.

[KontraTech]

Pendulum mi je zakon! Hold your color

[DBys]

sorry, not laughing to you

[Primitive]

DBys kaže:

iiiiiiii TADAAAAA
dodje mi da zaplacem od srece

u poratu je bio los, bar meni. dugo sam se napaljivao da ga vidim, ali albumi i ovo...hmmm

[Roose Bolton]

Za sat vremena krećem na Stantone.
Nadam se da neće biti razbijeni kao na Exitu.

[DBys]

Primitive kaže:

u poratu je bio los, bar meni. dugo sam se napaljivao da ga vidim, ali albumi i ovo...hmmm

hjaoj, mozda je bio umoran od vecer prije
ja sam stvarno uzivala u Rovinju, atmosfera, sound, place, MC...

[Mondo Gecko]

[SLIKA OBRISANA]

PISTOLERO

breakbeat / nuskoolbreaks / tech-funk / big beat / psy-breaks

Tvornica
19.09.08.
20/30kn

zvuk:
Akira
Zmayo
Kirg

slika:
Wild Bronco

http://pistolerobreaks.org/


vidimo se!

[pistolerobreaks]

upadi + ovdje + ovdje i ovdje

[phillipina]

Evo jos jedan tulum i to ove subote ! Vecinom ce svirat dnb... Nagradna igra na kraju posta

cfsn predstavlja svoj prvi ovosezonski tulum i povratak Playground! večeri

Nadamo se da ćete se igrati i dalje s nama



Subota, 20.09.’08 confusion pres. Playground! w.

LYNX (Soul:r, 31 Records, Creative Source, Digital Soundboy, Bingo / UK)
+
cfsn DJs (Feelipa, Funk Guru, Phillipe, Dubway, Basta)

Start 22:30, end 05

Upad 35 do 23:30, 45 nakon !
__________________________

Lynx bio:

Lynx je zanat kovao za vrijeme rada u 'Airtight' studiju u kojem su stasali producenti kao što su Friction, Mampi Swift, Stakka, Skynet i Skinny. Njegov pristup radu, master iz audio tehnologija i prirodan dar za produkciju glazbe s vremenom su ga učinili i jednim od voditelja tog studija.
Lynx je u 2002. iz svojih hardcore početaka prvotno skrenuo u tada novi drum'n' bass pravac s techno prizvukom. U to vrijeme je izdavao za Underfire Recordings i Audio Blueprint (Stakka & Skynet), te dobivao podršku od vodećih imena u žanru kao što su Andy C, Ed Rush & Optical, Shimon i Kemal.
Njegovu stvar Time-Out, izdanu za Renegade Recordings, pustio je i legendarni John Peel na BBC Radio 1, što mu je pružilo samopouzdanje da svojim izdanjima obuhvati cijeli drum'n' bass muzički spektar. Potaknut sklonošću k raznolikosti, i prikladno svojim glazbenim interesima, Lynx je lako prešao s techno drum'n'bassa na liquid funk, ali je usput razvio zvuk daleko od tipičnoga.
Efekt lavine na sceni pokrenulo je izdanje 'Mariachi', koje se među ostalim našlo i u 'Best of 2006' BBC Radio 1 emisiji koju vodi Fabio, a koji ga je također ugostio i u svojoj emisiji kao mladog talenta. Disco Dodo, Lynxov najveći hit izdan na Creative Source etiketi, bio je najprodavanije izdanje i za mnoge d'n'b stvar godine u 2007.
Soul:R (Marcus Intalex), 31 Records (Doc Scott), Creative Source (Fabio), Bingo Beats (Zinc) i Digital Soundboy (Shy FX) samo su neke od etiketa za koje je Lynx izdavao u 2007.
Lynx je također postao i oficijelni Soul:R artist, za koji je nedavno izdao album, te Soul:ution resident DJ pored imena kao što su Calibre, Marcus Intalex i ST Files.
Medijska pozornost i brojni nastupi samo su dodatno potvrdili probitak producenta sa sasvim svježim zvukom inspiriranim strastvenim poznavanjem funk, rock, soul, jazz i world music glazbe. Probitak za Lynxa, a uzbuđujuće novi trend za drum'n'bass!

http://www.myspace.com/stevelynx

“THIS PRODUCER IS GONNA BE BIG” Fabio BBC Radio 1

“EXACTLY THE TIP I AM LOOKING FOR” Grooverider Radio 1


Mix, mjuza & filmeki:

Lynx ft. Master X on drum’n’bass Arena TV Live

Lynx & MC Freestyle

Lynx pres. Disco Dodo

Lynx ft. Kemo

Lynx tunes @ Redeyerecords

Lynx & Stamina MC live @ Propaganda (Moscow)

Nagrdnjaca !

Podijeliti cemo 5 upadica preko raznih foruma ! Pošaljite nam mail s imenom i prezimenom i nekom simpaticnom dosjetkom (dajemo Vam umjetnicku slobodu) na cfsn.orgETgmail.com (naslovov mail-a LYNX_FORUM) a odgovoriti cemo Vam (onima koji su ulaznicu osvojili) najkasnije do petka navecer. Oni koji besplatnu upadnicu nisu osvojili moci ce je kupiti na blagajni kluba po 35/45 kuna...

Zaigrajmo skupa jer Playground! opet tu je





Weedmo se

[Mondo Gecko]

http://pistolerobreaks.forumotion.co...12008-t890.htm



jel ima ko da nece ic na ovo?!?

[mr.burns]

nema

[nemoralan]

Dj Kicks - Kemistry & Storm. jako dobro

[Mondo Gecko]

http://pistolerobreaks.forumotion.co...arius-t964.htm

benny page u aquariusu!!!!!

oke, na to ziher svi idu!!!!!

[Henna]

evo jedno dnb gostovanje za prave sladokusce
najsladji glas ne samo dnba - jenna g, zajedno sa jednim od najboljih njemackih liquid producenata - kabuki

https://www.forum.hr/showthread.php?t=394588

[pistolerobreaks]

evo ekipa...prijedlog za izlazak...svira se breakbeat sa naše strane i psy-prog-trens sa piline...

PISTOLERO

EAT STATIC Intro Party

14.11.2008., Petak
Cab Club (Zg), Ilica 55
20/30kn
22-04

Pila (Ministarstvo Psihodelije)

Zmayo, Kirg, Akira (Pistolero)

Video: Wild Bronco (Pistolero)

[pistolerobreaks]

PISTOLERO
Subota 22.11.2008.
Tvornica
50/60kn

EAT STATIC (UK)
aka Merv Pepler, Dendron

in groups Flexitones, Hi-Fi Companions, Metal Sharon, MX Experiments, Nodens Ictus, Ozric Tentacles

labels Mesmobeat, Solstice, Interchill, TIP World, Planet Dog, Twisted

+ pistolero ekipa akira, zmayo, kirg, wild bronco

Jedna od najvažnijih priča elektronske glazbe počinje 1989. kada na vrhuncu acid-house eksplozije bubnjar svemirskih Ozric Tentacles-a Merv Pepler, zajedno sa Joie Hintonom i Steve Everitt-om uzima stvari u svoje ruke i stvara jedinstveni Eat Static. Godinu-dvije-tri ekipa provodi u studiju i 1993. izlazi briljantni UFO-delični "Abduction". Možda i ponajbolji elektronski album svih vremena. Eh, to bi možda i bilo tako da godinu dana kasnije svjetlo dana nije ugledao "Implant", psihodelično-spejs-tehno remek djelo, silne godine ispred vremena u kojem je nastalo. U međuvremenu, produktivnost ne posustaje i izlazi mnoštvo EP-ova na sada zamrlom "Planet Dog-u" kao što su "Epsylon, Bony Incus, Hybrid“ itd. I tu se već između redaka može naslutiti kakav će vjetar propuhati novi album. "Science Of The Gods" izlazi 1997. Drum'n'Bass utjecaj prisutan je na albumu, jednako kao i njihova iznimna maštovitost. Naravno, psihodeličnog alienovskog zvuka uopće ne nedostaje. 1998. se gasi kultni "Planet Dog" i posljednje izdanje je "živi" "B-World", zbirka snimaka sa tadašnje UK turneje. U međuvremenu Steve Everitt napušta bend, a 1999. svjetlo dana je ugledao "Mesmobeat", label na kojem su poizdavali svu silu svojih starih izdanja poput "Alien EPs, Prepare Your Spirit, Decadance, Alien Artifakts" te izvanredni "Crash & Burn", fantastičnu kombinaciju rokerskog drum'n'bass-a, etnolikih breaksa, psihodeličnog techna i čega sve ne. I taman kad se pomislilo da se od ovoga bolje ne može, eto i njega: "In The Nude", najbolji album 21. stoljeća prodrmao je uši, dušu, mozak i stražnjice sretnika koji su imali to zadovoljstvo. Jazz, techno, breakbeat, funk, dnb, rock, dub, psihodelija…Sve na jednom mjestu, nevjerojatno maestralno posloženo. Glavni junak ove priče, Merv Pepler, produkcijski maestro, bez posla ne može i osim u Eat Staticu, vrijeme provodi stvarajući glazbu na raznim stranama. Do 1999. bio je bubnjar Ozric Tentacles-a s kojima još uvijek povremeno zasvira (primjerice na netom završenoj turneji) te surađuje na albumima. 2000-te se zajedno sa "Ozric" Steve Wynne-om opušta kao "Nodens Ictus" i izdaje dubodelično-ambijentalni album "Spacelines". "Dendron" je ime koje uzima za solo breakbeat-dnb projekt, te također na "Mesmobeat-u" izbacuje odličan "Supernatural Jazz". To kao da je bilo samo zagrijavanje za 2004., kada izdaje dva albuma. Prvi od njih odradio je sa Steve Jolliffe-om, veteranom iz "Tangerine Dream-a" koji pod imenom "Hi-Fi Companions" na Twistedovom chill sublabelu "Backroom Beats" objavljuju "Swingers In Paradise". Will White iz nikad prežaljenih Propellerheads-a u projektu nazvanom "Flexitones" pridružio se Pepleru na stvaranju dub-downtempo-lounge-breaks poslastice prikladnog naziva "Joyrider". Nakon trogodišnje stanke, lani je na japanskom "Solstice-u" izlašla dugoočekivana techno/trance/breakbeat/dnb majstorija "De-Classified", a ove je godine u srpnju, Eat Static objavio downbeat album: odlični "Back To Earth" na Interchillu. Uskoro ćemo slušati još i novi Dendronov album te Metal Sharon, ultimativnu kombinaciju, koju čine Merv Pepler + Simon "Hallucinogen-Shpongle" Posford. 2008.-a je bila prekretnica zbog Joievog odlaska iz benda zbog nagomilanog umora uzrokovanog stalnim turnejama i naravno, obiteljskih obveza. Ipak, Merv maksimalno uživa u stvaranju, što se i osjeti na svim njegovim projektima, tako da za Eat Static nema zime. Osim izdavanja hrpe albuma i EP-ova, Eat Static je remiksirao face kao što su Senser, Front Line Assembly, Joujouka, Green Nuns Of The Revolution, Ozric Tentacles, Banco De Gaia, Shpongle ili ManMadeMan te objavio gomilu chill/dub/breaks/dnb/psytrance mjuze na mnoštvu raznih kompilacija i izdavačkih kuća kao što su Matsuri, Planet Dog, Blue Room, TIP.world, Solstice, Interchill, Rubbish...Kako je bilo prošli put u Močvari, pročitajte ovdje.

http://www.youtube.com/v/qIhu6WuXuVI
http://www.youtube.com/v/Vkv3yBT3VGw
http://www.youtube.com/v/4zD3BQmRbE8
http://www.youtube.com/v/nfuZuyEs210

[pistolerobreaks]

"Let them eat static."

Thursday October 16, 2008
Eat Static Interview bubblejam.net 2008
By Tom Langley
Photos courtesy of Eat Static




Legendary
live dance act Eat Static are landing at Plug n Play Studios, Reading
for a live show on Friday 17th October. Plug n Play’s Tom Langley
caught up with Merv Pepler to find the methods to the madness
_________________________________________


Tom: 2008 has been a busy year in the Eat Static calendar. Where have you been, and what have you been up to?

Merv: It has certainly been a strange year so far! Joie quit the
band just after New Year, so I suddenly found myself in a one man band!
He had reached his limit with the travelling and being away from home
so he left me with the honour of carrying it onwards… and upwards I
hope! I carried on with the live gigs and have been getting fantastic
reactions wherever I have played and people have either said they could
not tell the difference with one person or they have preferred it! I
have played in Australia, Israel, Japan, Holland, France, Ireland as
well as festivals like Glastonbury, The Glade, Waveform, Shamania in
the UK, throughout the summer… and still have Bulgaria, Russia, Mexico,
Croatia and Brazil to go yet!

Tom: You recently released your latest album ‘Back to Earth’ in July
this year, tell us about that, and what we can expect to hear.

Merv: Its my first completely down-tempo album, something I have
wanted to do for a long time and so I teamed up with Interchill Records
and recorded a selection of electronically infused world music
tracks... its been getting great reactions so far, and was a good
excuse to explore interesting musical avenues… it mixes Latin, Jazz,
Breakbeat, Middle Eastern and squelchy funkiness… all with that Static
twist.

Tom: Eat Static was born in 1989 out of the legendary Psychedelic
‘Space Rock’ band the Ozric Tentacles. What’s the story, and how did it
happen?

Merv: Joie and I were always making experimental music on the
side from the time. I joined Ozrics in 1988, and then a year later we
met Steve Everitt who came down to jam with us one new years eve armed
with a sampler… he brought the dancey drum element into myself and
Joie’s analogue chaos and the eat static sound was born. We also loved
the fact that within dance music you were trying to make synth’s sound
more silly and basic compared to the more serious stuff we were doing
with Ozrics.

Tom: The Ozric Tentacles apparently got their name from a discussion
about hypothetical names for cereal brands. Where did the name Eat
Static arise from?

Merv: From a scene in Star Trek 2, ‘The wrath of Khan’, the
Klingons were transmitting radio noise at the Enterprise, and they
uttered the words ‘let them eat static’… it suited our spikey sounds
perfectly.

Tom: The Eat Static sound has touched on many different genres from
Psychedelic Techno and Trance to Breakbeat and Drum & Bass. Which
musicians, and artists have influenced or inspired you over the years?

Merv: Originally it would be Kraftwerk that first got me into the
sounds of the synth, alongside Tubeway Army, John Foxx, Devo plus our
school had a Korg MS20 in the music room which I spent many a lunch
time tweaking.
When acid house came over in 87/88 that inspired me to properly get
into that style and sound and I loved the way that party’s were playing
music that nobody knew who had made it, just fresh tunes every week. It
was just the music speaking for itself. Joie and I had always been
influenced from many styles of music outside the dance genre too,
especially traditional world music. The first dance stuff we were
listening too was Aphex Twin, Yello, labels like R&S from Belgium,
and generally acid house records that DJ friends of ours were
collecting.

Tom: What are you listing to on your Ipod or CD player right now?

Merv: Dance music wise the new Zen Mechanics album, Error
Corrective, Groovuscule, Psy-Sex… I have actually been having a bit of
a fling on some of the alt/indie stuff around at the moment too.
Beirut, Interpol, Grinderman/Nick cave, PJ Harvey, plus digging out a
few old classics like Joy Division, early Roxy Music… all over the
place!

Tom: The Eat Static and Ozrics albums feature some great fantasy and sci-fi artwork. Who is the artist responsible?

Merv: The guy who does my Static art has been a friend since we
were about 6 years old. His name is Paul Boswell and I have always
loved his style. He mixes fantasy/airbrush into his passion of street
graffiti and always comes up with some unique ideas. I still have all
the originals of every cover and they still blow me away when I look at
them now, plus I like the continuity through the whole collection, it
gives the album a more personal touch too.


Tom:
With the running theme of aliens and UFO’s in the Eat Static album art,
and content of your music. Where does the extra terrestrial fascination
spring from?

Merv: Probably from my childhood as I loved the early Sci Fi
movies, and B movie black and white films. Also Dr Who probably had an
influence as it was full of old analogue synths making daft bleeping
noises, and the documentaries we were made to watch at school… weird
and dark! I also got into the crop circle thing when I was only 12
years old. I visited one near my school as I had heard a rumour that
aliens had landed at Cley Hill and had left marks. I cycled over there
and it really blew me away. Joie was also into the whole factual thing
with abductions, and real life accounts so when we got together it
naturally formed a backdrop against the music we were producing.

Tom: You’ve been on the road touring with the Ozrics, and Eat Static
for nearly 20 years in countries all over the world, and when you’re
not on the road you are in the studio.
Your schedule must be pretty heavy at times, what motivates you and keeps you going?

Merv: The reactions of the crowds wherever we play. Just to get
that vibe from giving them your art is amazing, and I also really enjoy
creating new music in the studio. It has fascinated me for years, and I
feel like I have only just scratched the surface, especially as
technology continues to develop. I also meet so many interesting
characters while on the road… crazy, crazy people!

Tom: Do you have spare time to do other things and what do you do?

Merv: I am usually recovering if there is any spare time,
especially from gigs abroad. For one concert night it’s usually a
couple days either side for travelling before getting home and resting,
then off to the next one. It’s quite a gruelling job sometimes!

Tom: What is your most bizarre gig experience to date?

Merv: Hmmm, there’s been a few! Once, we played in one room of a
club with no monitors to hear anything while the music came out of the
PA in a completely different room, so we couldn’t hear what we played
or see the audience!
Another time we played a festival in Belgium, and the support act was a
comedian with a real cow on stage. We all had to help shove the cow
onto the stage, which took a lifetime then proceeded to watch the cow
crap all over this guy… what an act!
There was also a gig in Holland in 95 in a huge park to celebrate 50
years of VE day… I lost all the sounds in my TB 303, and had to re
program the whole thing while the Dutch philharmonic orchestra played
before us!

Tom: In the late 90’s Eat Static’s ‘Contact’ EP got to number 41 in
the UK charts. Tell us about your close encounter with Top of the Pops?

Merv: Well, it didn’t make it in all because of Elton John doing
‘Candle in the Wind’ for Princess Di… I don’t know whether to love him
or hate him for that!

Tom: t was announced in February 2008 that Joie would be leaving the
group to spend time with his family. Since then you’ve be going it
alone, and keeping up with the touring and live shows, how has it been?

Merv: Hard work, but rewarding. I felt a little bit
self-conscious at first but I have had such warmth and love from the
crowds that it has been amazing. People have said the sound has gone
tighter, more rhythmic and more insane!

Tom: What plans do you have for Eat Static in the near future?

Merv: Well next year is gonna be a mad one as its my 20th
anniversary for Eat Static, so lots of gigs, and a new album. I have
just re-launched my label Mesmobeat too, and I’m going to be releasing
other people’s stuff. I have some great releases lined up already.