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On 13 December 1807, in fashionable Weimar, Johanna Schopenhauer picked up her pen and wrote to her 19-year-old son Arthur: ‘It is necessary for my happiness to know that you are happy, but not to be a witness to it.’ Two years earlier, in Hamburg, Johanna’s husband Heinrich Floris had been discovered dead in the canal behind their family compound. It is possible that he slipped and fell, but Arthur suspected that his father jumped out of the warehouse loft into the icy waters below. Johanna did not disagree. Four months after the suicide, she had sold the house, soon to leave for Weimar where a successful career as a writer and saloniste awaited her. Arthur stayed behind with the intention of completing the merchant apprenticeship his father had arranged shortly before his death. It wasn’t long, however, before Arthur wanted out too. In an exchange of letters throughout 1807, mother and son entered tense negotiations over the terms of Arthur’s release. Johanna would be supportive of Arthur’s decision to leave Hamburg in search of an intellectually fulfilling life – how could she not? – including using her connections to help pave the way for his university education. But on one condition: he must leave her alone. Certainly, he must not move to be near her in Weimar, and under no circumstances would she let him stay with her. What her line of 13 December doesn’t reveal is that Johanna simply couldn’t tolerate Arthur: ‘All your good qualities,’ she wrote on 6 November, ‘become obscured by your super-cleverness and are made useless to the world merely because of your rage at wanting to know everything better than others … If you were less like you, you would only be ridiculous, but thus as you are, you are highly annoying.’ He was, in short, a boorish and tiresome know-it-all.

If people found Arthur Schopenhauer’s company intolerable, the feeling was mutual. He spent long depressive periods in self-imposed isolation, including the first two months of 1832 in his new rooms in Frankfurt, the city that became his adoptive home after a stint in Berlin. He defended himself against loneliness with the belief that solitude is the only fitting condition for a philosopher: ‘Were I a King,’ he said, ‘my prime command would be – Leave me alone.’ The subject of happiness, then, is not normally associated with Schopenhauer, neither as a person nor as a philosopher. Quite the opposite: he is normally associated with the deepest pessimism in the history of European philosophy. Schopenhauer’s pessimism is based on two kinds of observation. The first is an inward-looking observation that we aren’t simply rational beings who seek to know and understand the world, but also desiring beings who strive to obtain things from the world. Behind every striving is a painful lack of something, Schopenhauer claims, yet obtaining this thing rarely makes us happy. For, even if we do manage to satisfy one desire, there are always several more unsatisfied ones ready to take its place. Or else we become bored, aware that a life with nothing to desire is dull and empty. If we are lucky enough to satisfy our basic needs, such as hunger and thirst, then in order to escape boredom we develop new needs for luxury items, such as alcohol, tobacco or fashionable clothing. At no point, Schopenhauer says, do we arrive at final and lasting satisfaction. Hence one of his well-known lines: ‘life swings back and forth like a pendulum between pain and boredom’. ...